GAMUT — Geometric-Algebraic Music Theory

The shape of musical possibility.

How can a musical idea keep its identity as it changes? Explore pitch content and order, a foundation checked in Lean, and a research path toward instruments that help musicians carry what they hear inwardly into sound.

Content & order

One collection. C, E, G

First ordering

  1. C
  2. E
  3. G

Second ordering

  1. C
  2. G
  3. E
The same notes, in a different order. This example isolates ordering; a performance also carries timing, register, articulation and timbre.

What is established.
What comes next.

Discrete foundation: ten Lean proof contracts, with explicit assumptions. Read the proof coverage and the maintained proof paper.

Numerical projections, sampled orderings and musical utility are not certified by Lean. The musical utility agenda asks what would make this playable and useful.

A numerical rendering of content-space points with attached local ordering fibers.

An interactive atlas

See content.
Explore its orderings.

Choose a pitch collection and inspect its local ordering space in the Layered Bundle Explorer.

Views are numerical projections; larger ordering spaces are sampled. Displayed distances and topology are not certified by Lean.

All visualizations

Go deeper

Inspect the foundations.

Follow pitch-class content, finite ordering fibers and Fourier coordinates into the chosen continuous geometry. The definitions keep the discrete construction and its ambient extension distinct.

GAMUT Histories

The life around the music.

Explore historical research

Mozart: three works around 26 June 1788

A symphony, a sonata for beginners and an adapted fugue share a catalogue date. The first historical dossier examines their documents and scores, and asks where evidence gives way to interpretation.

Research draft. Direct comparative listening and targeted source checks remain open.

Read the essay draft: A date is not a state of mind